ARISTOCRACY

When aristocracy as such became discredited, people still found in themselves a desire, acknowledged or not, to look down on somebody.  It is the old sin of pride.  Just because aristocracy is abolished or muted does not mean its proud and ancient desires disappear.  If they cannot achieve satisfaction in the old political structures, they shall find new ways.

And so, much of the 19th to 21st centuries’ opposition to “modernity,” however defined, may owe some of its existence to the old desire to feel superior. The aristocrat of the spirit looks down on the NOW in the name of the PAST.  He cannot, perhaps even in his own eyes, despise openly in the name of “blood,” or even class, and maintain credibility.  But he can cook up some theory—even one which may have considerable truth in it—wherein he stands by the past over and against the present.  Thus, he can despise all and sundry about him as the benighted commoners in effect, those who do not understand or appreciate the old ways.  This is a source of tremendous satisfaction.  The other type of snob, the one who despises the past in the name of the present, must be content to despise the dead.  It is much harder in this situation to pose as the brave knight living in enemy territory but soldiering on nonetheless.  To cast one’s attack broadly against “modernity” can be to gloat in one’s superiority in the face of an enemy whose power outstrips one’s own (while, in effect, living in no greater danger than anyone else); this is more gratifying to the ego than to gloat over a helpless corpse.

CELEBRITIES AND ARISTOCRATS

Perhaps in some ways celebrities are what has replaced aristocrats in a largely republican world (in the non-American sense of the word “republican”).  But celebrity is more cleverly dishonest than is aristocracy.  Aristocrats claim superiority as a function of birth.  This claim is now easy to see through.  But celebrities claim superiority as a function of earned worthiness.  What confounds the rejection of the power of celebrity is that from time to time, unlike in aristocracy, a given celebrity may well have earned some measure of his or her exalted regard.  Aristocrats, conversely, are always aristocrats only because of birth, no matter how worthy some amongst them may be.  Aristocracy can be rejected as nonsense across the board, for no aristocrat is superior by right of birth.  The needed annihilation of celebrity as such is handicapped by the occasional truth of this or that celebrity’s perceived earned superiority.

One can therefor reject aristocracy untainted by one’s own personal envy, self-loathing, or other dubious motive.  To reject celebrity in the same sweeping manner is much more difficult if one is wary of one’s motivations.

This is all the more tragic since the motivations of a given individual hostile to the idea of celebrity as such are not relevant to the overall need to annihilate the deceit and injustice of celebrity.  But we doubt ourselves and hesitate.  And for some, becoming a celebrity may be a genuine (if unlikely to be fulfilled) hope.  The same is not true of aristocracy since it is decided at birth whether one will ever be a member.

What I have said here about celebrity is also similar with regard to plutocracy under capitalism.

Could this be the secret of Donald Trump’s power? the persistence of his fan base and the incredible leniency shown him despite whatever he does?  There are many business people who are not celebrities.  There are many celebrities who are not business people or even particularly rich.  But Trump is a businessman, and a celebrity.  Nobody in the culture is more thoroughly both than he, and nobody more thoroughly combines the most odious capacities of both: the imperious sense of entitlement, of being the special case that the worst celebrities display; the parasitical nature of capitalists at their worst, who produce nothing of value and are instead vampires of money.

The combination of capitalist and celebrity makes for the most dangerous sort of spiritual vampire.